Parshat Naso
by Rabbi Avi Billet
The jobs of the Levitic families were spelled out in last
week’s Torah portion, and the expanded version of their designated assignments
began in Chapter 4, giving us the jobs of the Kehat family, moving into our
parsha, with the depictions of the jobs of the Gershon and Merari families.
It
seems to be undisputed that the Gershon family had the easiest job, because all
they really needed to carry were curtains and similarly fabric-style materials,
along with the tools used to hang them up. The “parochet,” (curtain for the
Holy of Holies) the various “masakh”s (entrance to the courtyard and the
Mishkan), and the covers (roof) of the Mishkan all fit into this category.
Compare
this to the job of Merari – who carried the beams and all of the copper – and
this job is a walk in the park. Even the Kehatites, who perhaps didn’t carry
the heaviest items (though the gold is measured by length, and not weight), had
to carry the most “important” items, especially the Aron (Ark), all of which
carry with them a much deeper sense of responsibility (and expense) than the
curtains and the goat-skin roof cover.
Ibn
Ezra and Rabbenu Bachaye note that the verse simply says “tapestries, the Communion Tent, the roof, the over-roof of processed skins that is above it, the
drape at the Communion Tent entrance, the
enclosure's hangings, the drape at the entrance to the enclosure around the
Tabernacle and altar” (4:25-26) leaving out any reference to the red-colored
ram skin cover (Shmot 25:5, 26:14)
Rashi
notes that the phrase “the roof” refers to the ram-skin cover, but obviously it
is not spelled out in the text.
Why
would this be left out? Ibn Ezra and Rabbenu Bachaye suggest that the Torah is
speaking in a summary-language, perhaps leaving out non-essential (or obvious)
details. On the other hand, they suggest, maybe the beautiful red-skinned cover
was attached to the goat-skin cover.
Were
one to walk inside the Mishkan and look up, the beautiful woven cover, a
tapestry made of fine and colorful threads, would be visible. (Here this related "shmooze" by Rabbi Marc Penner) Above it –
covering its appearance from the outside – was a dark, unbeautiful goat-skin
cover. Above the goat skins was the red ram-skin cover.
There are
debates as to whether the red ram-skin cover paralleled the two covers beneath
it like an over-flowing table cloth, or whether it just lined the top of the
Mishkan. The distinction between the two options is whether the goat skin cover
could be seen at all.
There
is surely symbolism embedded in the need for a goat-skin cover to hide the
beauty of the Mishkan. But what are we to make of the possibility that the ram
cover and the goat cover may have been attached to one another? Why could they
not be separated as different layers?
Look at
any artistic rendition of the Mishkan, and the most striking element of the
edifice, from the outsider’s view, is the red, ram-skin cover. Whether it only
lines the roof, and especially if it drapes over the sides, it is attached to
something which is on the one hand gray and dull, but on the other hand strong,
durable and rugged.
Perhaps
this takes the expressions “beauty is only skin deep” to a whole new level – a
goat-skin level!
In all
seriousness, maybe the lesson we can take from Ibn Ezra and Rabbenu Bachaye’s
possibility is that the animal skin covers were attached to one another to
unify goat and ram.
Aside
from the animal sacrifices on various holidays that include goat and ram, we
specifically recall the goat and the ram on our High Holidays. On Rosh Hashana
we utilize the ram’s horn for the shofar-sounding, and on Yom Kippur we recall
the fascinating role of the “Se’ir La’azazel,” the goat that carried the burden
of the sins of Israel that was thrown over a cliff on the Day of Atonement.
These
animals were meant, on those days, to be symbols of repentance and of returning
to God. Perhaps the Mishkan, whose ultimate purpose was to be a place where
atonement could be achieved, symbolically modeled the union of the two animals
of atonement through the attachment of the ram and goat skins.
Maybe
we had it wrong. Maybe the family of Gershon had the most significant job, that
of carrying the symbol of atonement that the people could see on a daily basis,
through a mere glance at the Mishkan.